Deleted Notes from a Coma
Earlier this month I was delighted to contribute an article to the Irish Times about Mike McCormack’s 2005 novel Notes from a Coma (the story of JJ O’Malley, a troubled young man who volunteers for an experiment in the use of deep coma within the EU penal system).
As with any piece of writing, I am left with a handful of notes and observations that didn’t make the final cut (mostly because they didn’t fit with the direction the piece went in or they exceeded the word count; in one or two cases because they’re nothing more than asides). But I thought it might be fun to share the excised bits and some of the thinking behind them here as a kind of addendum to the article itself …
- I made an effort to structure the piece as a reflection of the novel, with JJ O’Malley at the literal centre of things. Though that didn’t quite work out! Thus my discussion of how JJ lies at the centre of the book’s singularity is a little more than halfway through the article.
- The sense of JJ O’Malley as a Jesus figure is compounded by his adopted father and virgin mother… of sorts (the latter being the Romanian nun who runs the orphanage where he lives as an infant).
- The five narrating characters essentially offer five gospels of JJ O’Malley.
- On the “contingent riffs” (what people have mistaken for footnotes) which form the broken boundary of McCormack’s effort to inscribe JJ’s story as widely as possible: It is surely no accident that “riffs” (the author’s term) contains a phonetic echo of “rifts”, and so suggests tears in narrative integrity.
- One striking comment about three-quarters of the way through the novel describes how “fiction and history are put through narrative loops beyond all unravelling”. It serves as a nod to the Irish experimental fiction tradition – which Notes from a Coma is consciously situated in relation to – and, just maybe, specifically to a work like Joyce’s Finnegans Wake.
- The participants in the novel’s coma remind me of another group of sleepers wired up to machinery aboard a ship (and in their case receiving literal messages from the future): the subjects of Galania’s Exordium experiment in the Revelation Space series by Alastair Reynolds.
- McCormack’s Louisburgh is an important and increasingly storied part of his fictionalised Mayo topography (look no further than the recent Solar Bones). Given time it could yet become an Irish analogue to something like Stephen King’s Castle Rock.
- One of the key themes of the novel is the struggle to resolve the spiritual with the scientific: the question of self-definition against “the technological phenomena of image and information dispersal”. Hence the novel’s obsession with ghosts as much as with digitality.
- Note the book’s original cover (pictured above): A child – “the type of face new Ireland doesn’t wonder at anymore” – considering their own reflection. Or, just maybe, his own ghost…
Notes from a Coma will be republished by Canongate next year as part of their Canongate Classics series.
Other posts you may find of interest:
- ‘Experiment or Die’: An Interview with Mike McCormack in ARIEL: A Review of International English Literature
- Plugging into the Future: My Irish Examiner review of Mike McCormack’s Forensic Songs